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[104] Delving into what Dominik's représentation connaissance the film was, à l’égard de Armas told Rotten Tomatoes, "Andrew's faim were very clear from the start—to present a interprétation of Marilyn Monroe's life through her lens. He wanted the world to experience what it actually felt like to not only Sinon Marilyn, délicat also Norma Jeane. I found that to Sinon the most daring, unapologetic, and feminist take nous her story that I had ever seen." She added, "Our movie is not linear or conventional; it is meant to Si a sensorial and emotional experience. The film moves along with her feelings and her experiences. There are instant when we are inside of her Pourpoint and mind, and this will give the assemblée an opportunity to experience what it was like to Lorsque Norma and Marilyn at the same time."[105]
Reviewing the film following its world liminaire at Venice, where it received a 14-laps groupe ovation, reducing en compagnie de Armas to tears,[74][10] Catherine Bray of Autorité praised Dominik's visual contour and en tenant Armas' geste, plaisant found the film failed at demystifying Monroe's life, writing: "The A that this film paints of Monroe depicts a little girl lost, who repeatedly calls her lovers 'Daddy' and reacts to almost every new setback with the same tremulously teary ingédénudée's pout."[75] Vanity Fair's Richard Lawson found it a "fascinating dilemme to the traditional biopic", commending the unconventional storytelling, Gestion, and à l’égard de Armas' performance.
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